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the teachers don’t grade fair,But hell, the bell ain’t rung and you’re halfway there.There’s a room given over to

exercise equipment—a weight machine, a stair-climbing machine, a dual-motion cycle machine, a rowing machine, a

Nordic-Track, an“abs-workout station”—but Williams seems not to use it. It’s both new and noticeably untouched. So

much kit, however, betrays a certain unease. The unease is evident in Williams’s hair. It’s streaked. It was dark brown

(almost black) when I first met her, before she performed on “Saturday Night Live” lastyear. I’ve also seen it blond.

When I eventually leave Nashville, and am reminded that I’ve forgone Williams’s invitation to stay at her house

(“You’d have been the first journalist to see me without makeup”), I suddenly appreciate how much time she puts into

her looks. This is “the appearance thing,”having to come across as attractive and sexy, to be, as she puts it, “

someone you look at and say, ‘Whoa, what a babe! I wouldn’t mind . . .’ ” It is a preoccupation of a forty-seven-year-

old only now breaking into a business that, committed to discovering the next Christina Aguilera, considers twenty-

seven to begetting on. “I know I shouldn’t be so bothered about this stuff,” Williams says. “Politically, I know I

shouldn’t—what do I want to be, every guy’s sex fantasy? But when you’re in it, as I am, it’s hard to ignore.”For all

that, Williams’s politics seem a bit sixties-ish ragbaggy. A characteristic Williamsstatement was her reply to a

question put to her by Rolling Stone last December about her hopes for the next millennium: Lucinda, expressing a