kaindalastik chaart, jinaka main vyaapak roop se upayog karata hoon. mainne mahasoos kiya ki kaindalastik chaarting mein prayukt vaastavik nikaayon ka upayog kiya ja sakata haimahatvapoorn samarthan aur pratirodh binduon ko nirdhaarit karane ke lie, ek aisee rananeeti jo mainne pahale kabhee nahin dekhee thee. yah kaise kiya ja sakata hai, is par ek nazar daalen. haalaanki ve haal hee mein pashchimee golaardh mein lokapriy hue hain, jaapaanee vyaapaaree saikadon varshon se kaindalastik chaarting takaneek ka upayog kar rahe hain. kaindalastik chaart, baar chaart samakaksh kee tarah, ek avadhi (aamataur par ek din) kee saajish ke lie khulee, uchch, nimn aur kareebee gatividhi ka upayog karate hain. kaindalastik chaarting mein, baar chaarting ke vipareet jahaan uchch aur nimn phokas hote hain, opan aur kloj sabase mahatvapoorn hote hain. ek kaindalastik do visheshataon se bana hota hai, jaisa ki chitr 1 mein dikhaaya gaya hai. vaastavik shareer ek aayat hai jo khule aur band ke beech ke kshetr ko gherata hai aur yahee kaindalastik graaf ko unakee vishisht upasthiti deta hai. yadi khula paas ke oopar hai to vaastavik pind kaale hain aur yadi nikat khule ke oopar hai to saphed hai. ek satr jisamen khula aur band samaan hota hai use aamataur par dojee satr ke roop mein jaana jaata hai aur us keemat par ek kshaitij rekha dvaara darshaaya jaata hai.
CANDLESTICKS"
ek kaindalastik do visheshataon se bana hota hai. pahala vaastavik shareer hai, jo hai
khule aur band ke beech ka aayat aur vah hai jo kaindalastik rekhaankan ko unakee vishisht upasthiti deta hai; yah kshetr hai
agar khula band ke oopar hai aur saphed agar band khule ke oopar hai to kaala ho gaya hai. ek satr jisamen khula aur
kareeb samaan hain jinhen aamataur par dojee satr ke roop mein jaana jaata hai aur us par ek kshaitij rekha dvaara darshaaya jaata hai
keemat. doosaree vishisht visheshata ek momabattee kee chhaaya hai, jo vaastavik ke oopar aur neeche ke kshetr mein kheenchee jaatee hai
shareer aur charam. ek, do ya koee chhaaya nahin hona sambhav hai. jab ek chhaaya anupasthit hotee hai, to parinaam ko sandarbhit kiya jaata hai ek munda momabattee ke roop mein. ek momabattee kee chhaaya - jo battee hone ka aabhaas detee hai - vaastavik ke oopar aur neeche ke kshetr mein kheenchee jaatee hai
tan. ooparee chhaaya vaastavik shareer ke uchch aur sheersh ke beech ka kshetr hai, jabaki
nichalee chhaaya hai
vaastavik shareer ke neeche aur nichale hisse ke beech ka kshetr. ek, do ya koee chhaaya nahin hona sambhav hai. jab ek
chhaaya anupasthit hai, parinaam ko aksar munda momabattee ke roop mein jaana jaata hai. kaindalastik vishleshan ka adhikaansh hissa ulat paitarn kee khoj aur pahachaan karane ke ird-gird ghoomata hai. bahut se kaindalastik chaarting se jude vishisht shabd utkraman paitarn ke saath prayog mein aate hain. yah vah jagah hai jahaan vaastavik kaindalastik chaarting aur baar chaarting ke beech antar chalan mein aata hai. haalaanki, kaindalastik vishleshan peshakash kar sakata hai aapakee soch se bhee jyaada. adhikaansh
SUPPORT AND RESISTANCE AUR CANDLESTICK PATTERNS:
takaneeshiyan apane mool ke hisse ke roop mein samarthan aur pratirodh binduon ke lie uchch aur nimn ka upayog karate hain chaarting takaneek. lekin kaindalastik ke khulane aur band hone par jor dete hue, aaie ham apane dekhane ke tareeke ko badalen baajaar mein. saamaany utaar-chadhaav ke bajaay, aaie vaastavik shareer ke utaar-chadhaav ka upayog karen.
CANDLESTICKS"
ek kaindalastik do visheshataon se bana hota hai. pahala vaastavik shareer hai, jo hai
khule aur band ke beech ka aayat aur vah hai jo kaindalastik rekhaankan ko unakee vishisht upasthiti deta hai; yah kshetr hai
agar khula band ke oopar hai aur saphed agar band khule ke oopar hai to kaala ho gaya hai. ek satr jisamen khula aur
kareeb samaan hain jinhen aamataur par dojee satr ke roop mein jaana jaata hai aur us par ek kshaitij rekha dvaara darshaaya jaata hai
keemat. doosaree vishisht visheshata ek momabattee kee chhaaya hai, jo vaastavik ke oopar aur neeche ke kshetr mein kheenchee jaatee hai
shareer aur charam. ek, do ya koee chhaaya nahin hona sambhav hai. jab ek chhaaya anupasthit hotee hai, to parinaam ko sandarbhit kiya jaata hai ek munda momabattee ke roop mein. ek momabattee kee chhaaya - jo battee hone ka aabhaas detee hai - vaastavik ke oopar aur neeche ke kshetr mein kheenchee jaatee hai
tan. ooparee chhaaya vaastavik shareer ke uchch aur sheersh ke beech ka kshetr hai, jabaki
nichalee chhaaya hai
vaastavik shareer ke neeche aur nichale hisse ke beech ka kshetr. ek, do ya koee chhaaya nahin hona sambhav hai. jab ek
chhaaya anupasthit hai, parinaam ko aksar munda momabattee ke roop mein jaana jaata hai. kaindalastik vishleshan ka adhikaansh hissa ulat paitarn kee khoj aur pahachaan karane ke ird-gird ghoomata hai. bahut se kaindalastik chaarting se jude vishisht shabd utkraman paitarn ke saath prayog mein aate hain. yah vah jagah hai jahaan vaastavik kaindalastik chaarting aur baar chaarting ke beech antar chalan mein aata hai. haalaanki, kaindalastik vishleshan peshakash kar sakata hai aapakee soch se bhee jyaada. adhikaansh
SUPPORT AND RESISTANCE AUR CANDLESTICK PATTERNS:
takaneeshiyan apane mool ke hisse ke roop mein samarthan aur pratirodh binduon ke lie uchch aur nimn ka upayog karate hain chaarting takaneek. lekin kaindalastik ke khulane aur band hone par jor dete hue, aaie ham apane dekhane ke tareeke ko badalen baajaar mein. saamaany utaar-chadhaav ke bajaay, aaie vaastavik shareer ke utaar-chadhaav ka upayog karen.